
One of her talents that has made her such a young successful composer is her uniquely interactive approach to
music. She studied composition under
Yoshiro Irino. While at
the Kinitachi
College of Music, she formed the composers' group. Throughout her career she has been consistently
interested in collaborating with other artists, and has participated in a wide range of venues and exhibitions
in which to present her work. She received
The New Artist Prize from
the
Japan Contemporary Music Association for
Outside-Inside for two
percussionists in 1986. In 1988 she received a grant from Asian cultural Council for studying in New York City.
During this year her composition was featured in the drama
Sino-odyssey at
La Mama Theater in New York City.

She was invited to perform her piano solo improvisation series
Slow Farewell
by
the Urbane Aboriginale (Germany),
the Contemporary Performing Arts
Festival at Het Apollohuis (Holland), and
the MANCA Festival (France).

Her work has crossed into the visual arts, film, and digital media. In 1991 she was in charge of project development,
staging, and composition for the special slide exhibition
Contemporary Women Photographers
Self-Portraits — Facing the Unknown, That is, Myself held by
the Tokyo Photographic
Arts Museum. She composed the soundtrack for
Usuzumi no miyako
(
In Light in Tones), directed by
Isao Yamada for
the Image-forum Film Festival. She also composed
Zainichi — Korean
in Japan 50 years since the war, and
Sinzai no Satujin
(
Existence and Murder) directed by Japanese conceptual monoha-artist
Kishio Suga and presented by
Yokohama Art Museum.

In 1998 she participated in the experimental film festival
Neo Avant-garde Film in a
discussion with film directer
Jun Kurosawa. Her commissioned works include
Kare to Kare (
He, and He) for shakuhachi
solo at
FM Hall (1993),
Innocent which premiered at
the 1996
Edinburgh Dance Festival, as well as works for
the Hong Kong
Dance Company.

In 2000,
Tuning with John was awarded
the second prize
in
the International Composition Competition (marking the 250th anniversary of the death
of J.S.Bach).